Haggai 2:7 vs. “Come Thou Long Expected Jesus”
Keith & Kristyn Getty · checked 2026-08-22
What we checked
Graded against the standard
Quotation criteria not graded: this song never presents its words as scripture
Applies to every song the Name held holy · God shown holy · true of God · the standard
✓ What's good
- One sustained prayer from the first word to the last, addressed to Christ by name and asking for release, rest, His kingdom and His rule; Hawn counts six imperatives across the two stanzas
- Cites no chapter or verse and frames nothing as a quotation, so nothing in it is offered as the text of Haggai
- The Getty recording sings Wesley's two original eight-line stanzas without adding new material, so what a listener hears is the 1740s text
- Public domain with a known author and a printed first edition anyone can read, which means every line can be checked against Wesley rather than against a hymnal
- The reading of Haggai 2:7 behind the hymn is a defensible one, argued in print on both sides, not an invention
⚠ Cautions
- The title the hymn gives Christ follows the King James at Haggai 2:7. Move the translation toggle above to WEB or BSB and no person appears in the verse
- Haggai's promise is about a building. The house being rebuilt looks like nothing beside the former one, and the promise is that it will be filled with glory. The hymn's use of the phrase is a reading of that verse, not a report of it
- The New Testament does quote this oracle. Hebrews 12:26 quotes Haggai 2:6 about the shaking of heaven and earth. It does not quote verse 7
- The writer credit is inconsistent between two rights-holder pages. Getty Music's own store lists Charles Wesley as songwriter for this track. PraiseCharts lists Keith Getty as writer with Keith Getty, Paul Campbell and John Langley as arrangers. The text is Wesley's and is public domain
- The widely repeated story that Wesley wrote the hymn while considering orphans and the class divide comes from Wikipedia. The two strongest sources on this text do not mention it. Treat it as unverified
- The collection's date is not settled. The title page reads 1744, and Hymnary, Wikipedia and Hawn all cite 1744. Fenner dates the printing of Hymns for the Nativity of our Lord to December 1745
Verse Proof
Haggai 2:7The text in BSB (Berean Standard Bible)
“I will shake all the nations, and they will come with all their treasures, and I will fill this house with glory, says the LORD of Hosts.”
Haggai is a prophet in Jerusalem in the second year of Darius, about 520 BC, and his messages are addressed to Zerubbabel son of Shealtiel, governor of Judah, to Joshua son of Jehozadak, the high priest, and to the remnant of the people. The oracle this verse belongs to is dated the twenty-first day of the seventh month. Its occasion is discouragement. The people are rebuilding the temple after the exile, and the LORD has Haggai ask whether anyone left among them saw the former house, and how this one looks by comparison, and whether it does not look like nothing. The answer to that discouragement runs from verse 4 to verse 9. Be strong and work, because I am with you. Then the promise: once more, in a little while, I will shake the heavens and the earth, the sea and the dry land, and I will shake all the nations. Verse 7 is what follows the shaking. Verse 8 says the silver and the gold are His. Verse 9 says the latter glory of this house will be greater than the former. The subject throughout is a building and what will fill it.
What the song says, described not quoted
Two stanzas of eight lines, which most hymnals print as four short verses. The first opens by addressing Jesus by name and asking Him to come, says He was born to set His people free, asks that His people be released from fear and sin, and asks that they find their rest in Him. The second half of that stanza is a run of four titles laid side by side, naming Christ as Israel's strength and consolation, as the hope belonging to the whole earth, as the desire of the nations, and as the joy of every longing heart. The second stanza states four things He was born to do, names Him both a child and a king, asks that His kingdom come now, and closes with three petitions: that He rule by His own Spirit, that He rule in the singer's heart alone, and that His merit raise the singer to His throne. C. Michael Hawn counts six imperative verbs across the two stanzas. Nothing in the hymn cites a chapter or a verse, and nothing in it is framed as a quotation. The Getty recording sings Wesley's two original stanzas and adds no new words; the credits on PraiseCharts list arrangement only.
The third title in that run is the one with a verse behind it. Chris Fenner's Hymnology Archive entry names Haggai 2:7 as the text informing the hymn's language about the desire of the nations, and Hymnary's scripture index for this hymn lists Haggai 2:4, 2:6-9 and 2:7 among its references. The wording the hymn is drawing on is the King James Version's: "the desire of all nations shall come." Wesley wrote in 1744, and the King James was the Bible in the pews. What shifted is not the hymn. It is the verse. The Hebrew noun in question, chemdah, can mean a desire, a precious thing or a treasure, and the verse pairs that singular noun with a plural verb. Translators have gone two ways with it. The King James read it as a person who comes. The Berean Standard Bible on this page reads it as the nations coming with all their treasures. The World English Bible reads it as the precious things of all nations coming. Two of the three Bibles this site carries do not have a person in Haggai 2:7 at all. The second shift is scope. Haggai's promise is about a building. The house that looks like nothing will be filled with glory, and its latter glory will be greater than its former. The hymn takes the phrase as a title for Christ and sets it in a list of titles about longing, which is a reading of the verse rather than a report of it.
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The hymn's name for Christ is the King James reading of Haggai 2:7, and two of the three Bibles on this page no longer read it that way.
Why it matters
A hymn outlasts the Bible edition it was written beside. Wesley's phrase entered English worship in the 1740s from a translation that had a person coming in Haggai 2:7, and it is still sung every Advent in churches whose pew Bibles no longer read that way. Nobody has misquoted anything. But a singer who hears a title for Christ inside a hymn, and assumes it can be looked up and found, may open the verse and not find it. The honest answer is that the reading exists, is defended in print, and is not the only one. Knowing that costs one look at the verse and one press of the translation toggle above.
Is it safe to dwell on?
Sung on repeat, this song fixes your attention on God.
This hymn is address, not report. Every line either speaks to Christ or says what He was born to do, so what repetition plants is the posture of asking Him to come and to rule. Sung through Advent year after year, it drills in four things about Him at once: that He frees, that He is the hope of more than one nation, that He is both child and king, and that His reign is asked for now rather than only awaited. It also plants a title. Sing it for twenty Decembers and the desire of the nations becomes a name you are sure is in the Bible somewhere, which it is, in one rendering of one verse. That is worth knowing, and it does not undo the rest. The hymn keeps the singer's attention on Christ and off the singer, and its final petition asks for His rule rather than for relief.
Helpful comparison
Set the three translations on this site beside each other at Haggai 2:7 and the difference is not a matter of style. The KJV has the desire of all nations coming. The WEB has the precious things of all nations coming. The BSB has the nations themselves coming, bringing all their treasures. In the first, someone arrives. In the other two, something does.
The dispute is old and is about grammar. The noun is singular and the verb that goes with it is plural, which is what pushes many translators toward reading the noun collectively, as the desirable things of the nations. Wayne Jackson sets out the case for keeping the personal reading, noting that the word is used of persons elsewhere and that Hebrew allows a verb to agree with the nearer of two nouns. Herbert Wolf's 1976 article in the Journal of the Evangelical Theological Society traces the twentieth-century move away from the personal reading, from the 1901 American Standard Version onward, and argues the move may not be altogether justified. So the hymn's reading is a live scholarly position, not a mistake. It is also a minority position among current English Bibles.
One more thing is worth knowing about how the New Testament uses this oracle. Hebrews 12:26 takes up Haggai 2:6, the shaking of heaven and earth, and applies it. It does not take up verse 7. The part of Haggai's promise the New Testament quotes directly is the shaking, not the desire.
Hawn's History of Hymns article and Fenner's Hymnology Archive entry are the two strongest sources on the text, and neither mentions the orphans story. What is documented for those months is anti-Methodist mob violence in Wednesbury and Walsall running into February 1744, and Charles Wesley's separate 1744 collection Hymns for Times of Trouble and Persecution.
Sources
- Come, Thou long expected Jesus (text authority) — Hymnary.org · (Charles Wesley, first published in Hymns for the Nativity of our Lord, 1744; originally two stanzas of eight lines; scripture index lists Haggai 2:4, 2:6-9 and 2:7)
- Come, thou long-expected Jesus — Hymnology Archive, Chris Fenner · (Haggai 2:7 named as the text behind the hymn's language about the desire of the nations; textual revisions of 1762 and 1777; dates the printing to December 1745)
- History of Hymns: Hymn expresses longing for arrival of our Savior — C. Michael Hawn, Discipleship Ministries · (1744 collection reprinted twenty times in Wesley's lifetime; two eight-line stanzas; six imperative verbs and a tone of supplication)
- Come Thou Long Expected Jesus — PraiseCharts (Keith & Kristyn Getty) · (album Sing! An Irish Christmas - Live At The Grand Ole Opry House, 2019; arrangers Keith Getty, Paul Campbell, John Langley; CCLI 7138252; no scripture references listed by the rights holder)
- Come Thou Long Expected Jesus — Getty Music Store · (same album and 2019 release; lists Charles Wesley as songwriter; © 2019 Getty Music Publishing)
- Haggai 2:7 — The Desire of the Nations, Wayne Jackson, Christian Courier · (the singular noun with plural verb; the case for keeping the personal reading)
- "The Desire Of All Nations" In Haggai 2:7: Messianic Or Not? — Herbert M. Wolf, JETS 19:2 (1976) · (abstract and opening only, remainder paywalled; documents the move to impersonal renderings from the 1901 ASV onward)
- Hymns for the nativity of Our Lord. 1744 — Internet Archive (Eighteenth Century Collections microfilm) · (title page dated 1744)
- Come, Thou Long Expected Jesus — Wikipedia · (source of the orphans and class-divide claim, which the two hymnological sources above do not carry; also lists the STUTTGART, HYFRYDOL and CROSS OF JESUS tunes)
- Wednesbury riots, 1743-1744 — A Dictionary of Methodism in Britain and Ireland · (documented anti-Methodist mob violence running into February 1744)
Corrections
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