Job 1:20-21 vs. “Blessed Be Your Name”
Matt Redman · checked 2026-07-25
What we checked
Graded against the standard
Quotation criteria not graded: this song never presents its words as scripture
Applies to every song the Name held holy · God shown holy · true of God · the standard
✓ What's good
- Keeps Job's line in Job's mouth: a worshipper speaking in loss, not a promise God makes about outcomes
- Never says it is quoting, so nothing is presented as scripture that is not
- The added word, "choose," matches what the passage shows in verse 20, where Job's worship is deliberate
- Names the hard seasons out loud, which is the pastoral gap the writers set out to fill
⚠ Cautions
- The most famous line is a bereaved man's confession. Said to a grieving person rather than by one, it becomes a rebuke
- The song holds Job's first response only. The rest of the book contains his protests, and treating chapter 1 as the whole answer flattens it
- No verse is cited, so a listener who does not know Job may hear the line as a general rule about how God works
Verse Proof
Job 1:20-21The text in BSB (Berean Standard Bible)
“Then Job stood up, tore his robe, and shaved his head. He fell to the ground and worshiped, saying: “Naked I came from my mother’s womb, and naked I will return. The LORD gave, and the LORD has taken away. Blessed be the name of the LORD.”
The end of Job's first catastrophe. In a single day Job loses his livestock, his servants, and all ten of his children. Verse 20 is the part usually skipped: he tears his robe and shaves his head, the ancient signs of grief, and then he worships. The famous sentence is not said calmly. It is said on the ground, by a man who has just lost everything, and the book is careful to show the grief and the worship in the same breath.
What the song says, described not quoted
The song moves through named seasons: abundance and desert, sun shining down and the road marked with suffering, and in each one the singer returns to blessing God's name. The bridge takes Job's line about giving and taking away and adds a decision to it, that the singer's heart will choose to say "blessed be Your name." No verse is cited in the lyric.
The borrowed material is Job's sentence, not God's promise, and the song keeps it in the mouth it belongs to: a worshipper speaking in loss. What the song adds is the word "choose." Job 1:21 records what Job said; the song says the singer will decide to say it. That is an addition, and it is the honest kind, because it names something the text shows rather than something the text denies. Job's worship in verse 20 is deliberate, not automatic.
▸ Official upload. Now listen with the proof in mind.
Job said it on the ground, with his robe torn. That is the only way anyone ever sings it honestly.
Why it matters
Matt and Beth Redman wrote it after the September 11 attacks, saying the church lacked language for dark seasons. That origin matters for how the song should be used, because the line they reached for is the hardest one in the Bible to sing honestly. "The LORD gave, and the LORD has taken away" is not a comfort text. It is a bereaved man's confession that God is God in the loss as well as the gift.
The risk with a line this famous is that it gets detached and turned into a shrug at other people's suffering, a thing said to the grieving rather than by them. The passage will not allow that. Job says it about his own losses, torn robe and shaved head, and the book spends thirty-nine more chapters refusing easy answers about why. Sing it as your own confession. It was never meant as a comment on someone else's.
Is it safe to dwell on?
Sung on repeat, this song fixes your attention on God.
This one is designed to be sung before you need it, which is a real thing repetition can do. What it plants is a sentence for the worst day, learned on ordinary days, and the sentence keeps God as the subject: He gives, He takes away, His name is blessed. Note that it plants a decision as much as a feeling. If you dwell on it, dwell on Job 1:20 alongside it, the torn robe and the shaved head, so that what you are rehearsing is worship with grief still in the room and not a cheerfulness you will not be able to produce when the day comes.
Helpful comparison
Worth noticing what the song does not take. Job 1:21 sits inside a book that goes on to record Job's protests, his demands for a hearing, and God's answer out of the whirlwind. The song stays with the first response and does not pretend it is the whole book. That is a reasonable choice for a four-minute song, and it leaves a gap a singer should fill by reading on: the same Job who blesses here later says he will complain in the bitterness of his soul, and the book does not treat that as a fall from grace.
Sources
- The Worship Initiative — Blessed Be Your Name, scripture references
- Pender UMC — Hymn history: "Blessed Be Your Name" · (written by Matt and Beth Redman following the September 11 attacks)
- Logos — "Choosing to Praise": song analysis · (the relationship to Job 1:21 and the added decision)
Corrections
No corrections to this proof yet.
Think we got something wrong? Tell us what and where, and we will check it against the text. Real errors get fixed here, dated, in public. Every correction on the site →





